May is a composer, arranger, music educator and mezzo-soprano based in Melbourne. Her music explores a range of themes, from deep human emotions to mathematical concepts, as well as the lighter side of life. Stylistically eclectic, May’s compositions move from dramatic and intense, to quirky. Emotion, precision, duality and rhythm are all strong recurring elements. May is currently studying a Master of Music in Composition at The University of Melbourne under the guidance of Dr Katy Abbott Kvasnica. May’s compositions have been performed by Syzygy Ensemble, Icon Trio, Forest Collective, Zelman Memorial Symphony Orchestra and E21.
On The Inside, for Flute, Clarinet, Cello & Piano
On the Inside explores the many aspects of identity throughout a woman’s life, from growth to complexity, (as opposed to innocence to uselessness). It rejects the idea that women are to be seen as objects only, that a woman’s value lies in her physical attributes and functionality to another. Having said that, some musical aspects that might be perceived as “beauty” have been retained because, like all characteristics, beauty is not something to be ashamed of or feared.
Commissioned by Samantha Wolf for International Women’s Day 2016 concert: This Will Be Our Reply. First performed on 7th March 2016 by Tamara Kohler, Gemma Tomlinson, Aaron Klein, & Adam McMillan. Recording by David Collins at Melba Hall, The University of Melbourne.Additional Words from the Composer:
When writing On the Inside for International Women’s Day 2016, there were two main points for me: protest and gender.
- I could tell you what is in my piece and why I wrote it, but would you hear it without reading the description? (Or even after having read it?) Will this challenge anyone’s thinking? I doubt those who continually treat women as a second gender will think differently simply from hearing my piece. Protest and petition, without context or the right audience, usually falls on deaf ears. However, that doesn’t mean I about to go silent.
- I can honestly say I was torn while writing this piece. I am motivated to write for injustice and to give a musical voice to inequality. At the same time, I felt uncomfortable to be composing “as a woman”. I don’t see my music as gendered. My ovaries do not compose. Yet, therein lies the rub, as I cannot get away from my gender. It is human nature is to categorise. Before a single note is heard, this piece has been labeled “from female” and is associated with all the connotations that come with that for each listener, positive or negative.
There is usually more complexity on the inside than what is initially seen.
Featured in Social Activism Waves playlist, March 2017