Guitar Waves (December 2018)

In our final playlist for 2018, Making Waves celebrates the expansive and engaging exploration of the guitar in Australian new music!

The guitar, in its various guises and combinations, offers composers a smorgasbord of sounds and techniques. Whether it is the quirky and emotive combination of guitar, trumpet and trombone in Andrew Batterham’s or the raw power of the electric guitar when it meets it maker – a set of pliers in Sam Harvey’s Bloodlines – you might just have your curiosity ‘plucked.’

We hope you enjoy this month’s playlist, and maybe even consider giving your local guitar teacher a call afterward…

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Landscape Waves (February 2018)

Many composers find inspiration in their environment and surroundings, and we have hinted at this in several past playlists (Nature Waves, Sonic Environment Waves). This month’s playlist, Landscape Waves, brings together a selection of works for varied forces, all reflecting on aspects of the outdoor or natural world and sound: the sounds of people, animals and places, and especially the sounds of climate.  This progression from drought through to deluge is your soundtrack to another month of southern hemisphere summer.

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Vocal Waves (September 2017)

For some time we’ve been taking note when composers submit works to the Making Waves curation pool that feature the voice, text, singing, speech. In September 2016 we compiled the Spoken Waves playlist; we’re delighted to revisit a similar theme exactly 1 year later with the present playlist, Vocal Waves.  As always, we try to find works that fit the theme as well as challenge it, so the works range from children’s choir to rhythmic use of speech in the context of a percussion ensemble, showcasing the breadth of possibilities for the human voice. With several multi-part works, we also really enjoy the gravitation to song-form, both through shorter-form and multi-movement works here.

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