Place Waves (May 2018)

This month we’re delighted to hand over the curatorial reins to MW Intern Michelle Nguyen.  The playlist theme centres on the idea of our relationship and place within external environments, both ecological and social, and also our internal selves, looking at identity and memory. In this playlist, place is explored in its physical manifestations, as well as its changing and ephemeral nature.

The interactions we have with the natural environments we inhabit are explored through pieces by David Burraston, May Lyon, and Elissa Goodrich, while Josten Myburgh, Aviva Endean, and Gabrielle Cadenhead’s pieces inquire into our relationship with place in urban, social, and controlled environments. Electro Fractal Gamelan and Connect Four by two amazing members of the Making Waves team, Peggy Polias and Alexis Weaver, take a look inwards to nostalgia, memory, and places in time.

With an overarching soundscape of electronics, field recordings, extended techniques, and musique concrete, these pieces all explore an element of noise and uncertainty, which exposes a lot of our human qualities. In looking for perfection, the glitches, unintended sounds, and accidents have all contributed to our musical culture and the wide variety of sounds we enjoy.

This playlist includes a video of Hapnophobia by Aviva Endean, which is a site-specific work that encompasses the audio, visual, and tactile realms. The video functions as a score for the audience as they move throughout a specific location at the arts centre, and would ideally be watched or performed in location.

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Jazz-World Waves (November 2017)

This month we’ve brought together a number of compositions that relate to jazz or world music in varying degrees, sometimes not in the most direct or obvious way.  Where are the boundaries between contemporary classical and jazz styles?  What are different ways composers look to wider folk and world musics for inspiration?  Many composers featured this month effortlessly weave in and out of jazz/improvisatory and classical practice, creating fascinating and eclectic bodies of work.  We hear in some of the works a focus on melody and harmony, with folk tunes or a chart-based approach. Several works for sax ensembles or big band are of the toe-tapping variety while others have an adventurous contemporary flavour.  Yet other works are scored for small colouristic bands or chamber ensembles.  We hope you enjoy this ride through a diverse collection of sounds.

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Minimalist Waves (October 2016)

This month’s playlist brings together a number of tracks that recall aspects of minimalism and post-minimalism: repetitive grooves, a degree of space, restraint, economy of musical material, long lines, drones and monolithic gestures,  self-similarity and fractals. We love the breadth of  approaches stylistically and thematically within this hour of works. Note the familiar inspiration sources of nature and landscapes in some of these compositions – snow, cities, outdoor scenes – alongside works referencing ideas about communication and thought – dreams, rhetoric, monologue.

We, the Making Waves team, continue to be excited and inspired by the quality and diversity of Australia’s new music scene and hope our enthusiasm is infectious! To learn more about each featured work and composer in this listening-journey we recommend that you click through to each of the featured profile below. Enjoy!

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