This month we decided to tackle the spectrum of compositions that inhabit and explore radiophonic composition. Radiophonic music developed as an artistic practice focusing on the use of electronics, abstracting and manipulating sounds to create unique pieces often designed specifically for radio. This medium places you, the listener, at the centre of the experience, how you interpret the sounds as they are divorced from a traditional concert context.
The works in this playlist are designed to immerse you in the spectrum of radiophonic sounds. Sounds from what we know are abstracted in each of these tracks, from the raw, digitally manipulated samples of organic everyday household sounds utilised by Andrew Ball and Michelle Nguyen, to the visually evocative soundscapes evoked by Fiona Hill and Jessica Wells. Electronics are used throughout this playlist to abstract how voices and conversations are heard. These range from the use of intimate recordings of family conversations by Martin K. Koszolko to Amber Hansen’s ambient mix of samples recorded in the island of Capri.
This playlist also features works by Amber Hansen and Marlene Radice which were specifically commissioned for radio play and as such have been composed the be heard via this medium, the live component of the composition being the listening act in and of itself.
All of these works are designed to be interpreted by the listener a multitude of different ways, they challenge how we listen to sounds and re-evaluate how we perceive music.