We’re delighted to feature ten wonderful composers and works in this month’s playlist Harmonic Waves. The connecting thread between these stylistically divergent works is harmony: some preoccupation with the sonorities arising from pitch relationships – intervals, chords, chord progressions, ostinati – whether across the familiar diatonic grid or in the granular spaces between. These collected works offer quite evocative explorations of themes of motion, emotion and/or communication across the musical spectrum from jazz to concert art music. We hope you enjoy and savour these sounds from some familiar and some new featured composers.Continue reading
Tag: Kirsten Milenko
Stillness Waves (September 2018)
This month we hand over the curatorship to our graduating intern Ethan Connor McAlister. After mulling over various concepts for a playlist, he landed on a prominent influence in his own music, stillness.
In what seems to be a common thread for many composers, stillness appears in many guises. Typically associated with composers such as the Japanese Toru Takemitsu, Estonian Arvo Pärt or the British Max Richter, this playlist will instead feature five contemporary Australian pieces.
In this playlist you can find stillness in the study of space, both sonic and physical; in the structured silences of Kezia Yap, the improvisations of Josten Myburgh’s The waves which have kept me from reaching you, and in the use prepared piano, double bass and bus engine sound recordings in Millie Watsons’ Pools of Fir. You may also find stillness in the stretching of time in Alice Chance’s D I L A T E and finally, in the analysis of light in the first piece of our playlist, Kirsten Milenko’s stunning Ex Aere.
Making Waves hopes you can find a time to sit back with a cuppa* and, for just a moment, (hopefully) find stillness.
Concerto Waves (June 2018)
The concerto has a long and ingrained tradition in the world of classical music. We’re excited to see how composers explore or depart from this tradition. In this playlist we’ve given the past a nod, see especially Scott McIntyre’s work referencing Beethoven, but also included a work for jazz orchestra by Nadia Burgess, as a nod to the jazz convention of giving players solos, their moment in the spotlight. In another vein, Kirsten Milenkos’ work addresses environmental themes. We hope you enjoy this selection of “duels” or “conversations” between one and many.