The hour of music in this month’s playlist ranges from compositions for Balinese gamelan instruments, to saxophone quartet, a site-specific clarinet performance, to the trusty pianoforte. Common to each of these striking works is a sense of gradual movement, of sonic evolution; we invite you to savour these journeys as the soundtrack to your day, or drop everything and enjoy a mindful sitting with these nine wonderful composers and their works.Continue reading
This month we are excited to present a playlist exclusively focused on piano works. In curating ‘Piano Waves’, we wanted to showcase the expressive power and tonal colour of the piano. The eight Australian composers featured this month have created works that range from sprightly and sweetly melodic miniatures (such as Anne Cawrse’s piece ‘The Red Buoy’), energetic improvised-like music (Yitzhak Yedid’s ‘Angels’ Revolt’) to atmospheric fixed media soundscapes influenced by nature (Miriama Young’s ‘Grey Ghost’) and/or extended techniques (Annie Hui-Hsin Hsieh’s piece ‘Chamber of Glistening Whispers’).
If you would like to continue down the listening path of newly-composed piano-based works, we invite you to take a trip into our archives and explore our ‘Keyboard Waves’ playlist from November 2016.
We encourage you to listen, share and enjoy this hour of music, and warmly invite all composers to submit your works to the Making Waves curation pool for possible inclusion in a future playlist.Continue reading
Returning to our familiar haunt of Soundcloud this month, we are delighted to focus on the voice again this month, in a “part 2” continuation of the earlier Vocal Waves playlist (September 2017) and also the Spoken Waves playlist (September 2016). There is something centering about voice and language when it is present in music, whether for solo voices, small or large groups of singers, with or without instruments. We hope the various songs of celebration, contemplation and/or wonder from these 7 composers lead you on your own journey of reflection.Continue reading
A journey through the Making Waves archives will reveal that most of our listening activity takes place via Soundcloud. It’s free (or relatively affordable), and it’s a user-generated-content platform with less barriers to entry and more consistent content than some online destinations. For this month’s playlist we wanted to journey further afield and highlight some of the works received via a few services. Composers and performers, we always encourage you to submit your work for possible inclusion in a Making Waves playlist no matter where it may be hosted. It may take longer to build up enough of a submission pool for a playlist, but we are listening and noting all incoming tracks.
Without further ado, here are four immersive longer-form tracks hosted at various websites ( Vimeo, Bandcamp, Soundcloud and YouTube). Listeners, we ask you to take a slightly more active role in clicking on this webpage to hear each featured track, circumnavigating the geographical world via electrons signalling various URLs. But in return, we promise evocative and intriguing listening, right through the spectrum of sonic media from acoustic to soundscape.Continue reading
In this month’s listening adventures we explore the theme of drama, bringing together five works that have strong narrative or theatrical resonance. From the naive to the ancient, to the personal, to the meta, each composer’s perspective is unique, and we hear active or evolving arcs alongside interior, reflective sonic journeys. Similarly, the instrumentation called upon by the five composers featured (who incidentally are all new faces to the Making Waves ecosystem, welcome!) range from solo through to orchestral forces.
As always, we encourage you to listen, share and enjoy this hour of music, and warmly invite all composers to submit your works to the Making Waves curation pool for possible inclusion in a future playlist.Continue reading
We’re delighted to feature ten wonderful composers and works in this month’s playlist Harmonic Waves. The connecting thread between these stylistically divergent works is harmony: some preoccupation with the sonorities arising from pitch relationships – intervals, chords, chord progressions, ostinati – whether across the familiar diatonic grid or in the granular spaces between. These collected works offer quite evocative explorations of themes of motion, emotion and/or communication across the musical spectrum from jazz to concert art music. We hope you enjoy and savour these sounds from some familiar and some new featured composers.Continue reading
The theme for International Women’s Day in 2019 is #BalanceforBetter.
Happy International Women’s Day! The team would like to acknowledge that lists such as these invariably exclude more composers than they promote. However, we embrace the opportunity to reflect on the striking music featured by female-identifying composer in Making Waves playlists and the Making Conversation Podcast since our inception in 2015. We continue to welcome all composers, but in particular encourage women and gender diverse composers to submit your recordings to the Making Waves curation pool at any time and as often as you like.
We’ve collected a few examples of some ways composers and musicians are working towards a “Balance for Better” in our musical communities. This list is something we’re going to be building on over time in a special dedicated resource page on our website to commend the work of inclusive and forward thinking creatives (coming soon). If you have suggestions of continuing initiatives or forward thinking ensembles and organisations to add, please comment below or email us at email@example.com.
- The outstanding work of the Institute for Composer Diversity via the Composer Diversity Database and USA focused orchestra season analysis.
- Closer to home, we acknowledge the ongoing work and research presented in 2018 at the The Gender Diversity in Music Making Conference at Monash University and look forward to the 2019 edition, The Gender Diversity in Music and Art Conference, at the University of Western Australia July 16-29, Perth. [Note the current call for presentation proposals, due 22 March 2019!]
- We look forward to ABC Classic FM’s Festival of Female Composers and the inaugural Women in Music Festival 2019 at RMIT in Melbourne.
- Also a shout-out to some of the resources mentioned last year, still excellent and relevant:
- The Women in Sound Women on Sound reading list
- Music Theory Examples By Women
- GRID (Gender Research in Darmstadt) and Ashley Fure’s reflections in 2016.
- Ian Whitney’s Australian Content in 2019, is now a beloved annual blogging tradition. Whitney crunches the numbers closer to home on Australian content programmed by the Major Performing Arts Organisations, including attention to gender representation.
And now, over 20 hours of musical works and podcast audio for you to discover and enjoy! Listen through in order today while you work, bookmark to return, click shuffle to be surprised or all of the above!Continue reading
Making Waves is delighted to share this month’s playlist, String Quartet Waves!
As an ensemble, the string quartet has been codified such that is a genre unto itself. Perhaps this is due to its typical designation for the most intimate and considered of thoughts, from Beethoven to Shostakovich, and Schoenberg to Crumb. Yet despite its age, it is a genre that is ever contemporary. Championed by quartets such as Kronos Quartet and JACK Quartet, the genre is filled with brilliant new compositions.
In Australia, the string quartet has found another home, in the creations of Sculthorpe and Westlake, and in the work of ensembles such as the Australian String Quartet, Flinders Quartet and Acacia Quartet. As such we are excited to share a collection of contemporary Australian string quartets, filled with contrasting moods, energies and complexities. We hope you can sit back and enjoy this months playlist.Continue reading
Happy New Year, listeners!
We’re delighted to welcome 2019 (our 5th year!) with this immersive playlist of audiovisual recordings titled Waves of Consciousness. These seven amazing works are deeply contemplative, thematically and aesthetically. When we titled the playlist, we contemplated the individual reflecting on various broader contexts, noting their consciousness of things beyond their immediate self, e.g. the environment, humanity and mortality. The works feature small chamber music instrumentation that we felt reinforces a closeness and level of detail across the various themes explored. We love the opportunity to release video playlists that feature performance footage of the work, adding another layer of immersion and celebration of musical talent to this month’s listening experience. We hope you find this as enjoyable and thought-provoking as our growing Making Waves team has. Don’t forget to leave your words of support for these talented composers and musicians by visiting their profiles, following their sites, sharing their work and leaving a comment below.Continue reading
In our final playlist for 2018, Making Waves celebrates the expansive and engaging exploration of the guitar in Australian new music!
The guitar, in its various guises and combinations, offers composers a smorgasbord of sounds and techniques. Whether it is the quirky and emotive combination of guitar, trumpet and trombone in Andrew Batterham’sor the raw power of the electric guitar when it meets it maker – a set of pliers in Sam Harvey’s Bloodlines – you might just have your curiosity ‘plucked.’
We hope you enjoy this month’s playlist, and maybe even consider giving your local guitar teacher a call afterward…
The concept for this playlist came from the idea of the human relationships that underpin all creative practices. How we interact with one another is the foundation of live performance and inherent to the process of creating new music. This month’s playlist was curated by Making Waves team member Marlēné Claudine Radice.
The pieces featured in this month’s playlist explicitly highlight what it means to relate to ones humanity through music. Whether it be through the physical body such as Caerwen Martin’s exploration of the relationship between mother and child or Mark Holdsworth’s musical depictions of Frida Kahlo’s self-portraits.
A fundamental part of human relationships and identity stems from our ability to act and think autonomously. The notion of what it means to be an autonomous individual is examined by Rishin Singh and Sophie Van Dijk. Both pieces by these composers explore how individuals react to one another in various situations, how the human and an individual can shape and mould their performance. Individual and collective responses to ritual are explored in James Hazel’s work, in which performers are encouraged to consider ritualised performance practices. These works encourage individual thought and require performers to decide for themselves how they will respond to each score.
Aaron Pelle and Antonia Zappia’s works depict a subtler aspect of the humanity inherent to music composition, the ideas expressed though emotion and how these ideas form, reform and collapse into each other. These ideas are extended further in Joseph Tabua’s work as he depicts our relationship between what it means to be human and how we as humans relate to the idea of consciousness within our creations.
Take some time to delve into adventure, art, the self and robots.
This month we hand over the curatorship to our graduating intern Ethan Connor McAlister. After mulling over various concepts for a playlist, he landed on a prominent influence in his own music, stillness.
In what seems to be a common thread for many composers, stillness appears in many guises. Typically associated with composers such as the Japanese Toru Takemitsu, Estonian Arvo Pärt or the British Max Richter, this playlist will instead feature five contemporary Australian pieces.
In this playlist you can find stillness in the study of space, both sonic and physical; in the structured silences of Kezia Yap, the improvisations of Josten Myburgh’s The waves which have kept me from reaching you, and in the use prepared piano, double bass and bus engine sound recordings in Millie Watsons’ Pools of Fir. You may also find stillness in the stretching of time in Alice Chance’s D I L A T E and finally, in the analysis of light in the first piece of our playlist, Kirsten Milenko’s stunning Ex Aere.
Making Waves hopes you can find a time to sit back with a cuppa* and, for just a moment, (hopefully) find stillness.