Many composers find inspiration in their environment and surroundings, and we have hinted at this in several past playlists (Nature Waves, Sonic Environment Waves). This month’s playlist, Landscape Waves, brings together a selection of works for varied forces, all reflecting on aspects of the outdoor or natural world and sound: the sounds of people, animals and places, and especially the sounds of climate. This progression from drought through to deluge is your soundtrack to another month of southern hemisphere summer.
Plug in, press play and relax into a dream-like hour of contemporary compositions from our featured Australian composers. In this month’s Dream Waves playlist listen out for some common characteristics between these 10 stunning works, in the use of melodic lines, resonance, atmospheric effects, diatonic languages, ambience, repetition and an innate sense of reflection and stillness. Predominantly featuring works for acoustic instruments, we were delighted to find that the electronic works and sound art from Marlene Radice and David Newnes contributed to and expanded on the theme. Join us as we float away over the next sixty minutes with a final playlist for 2017. We’re thrilled to end the year on such a beautiful note!
This month we’ve brought together a number of compositions that relate to jazz or world music in varying degrees, sometimes not in the most direct or obvious way. Where are the boundaries between contemporary classical and jazz styles? What are different ways composers look to wider folk and world musics for inspiration? Many composers featured this month effortlessly weave in and out of jazz/improvisatory and classical practice, creating fascinating and eclectic bodies of work. We hear in some of the works a focus on melody and harmony, with folk tunes or a chart-based approach. Several works for sax ensembles or big band are of the toe-tapping variety while others have an adventurous contemporary flavour. Yet other works are scored for small colouristic bands or chamber ensembles. We hope you enjoy this ride through a diverse collection of sounds.
Brian Eno was quoted to have once said:
“Ambient music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.”
This month we bring you a beautiful mix of atmospheric, electronic and instrumental works that are hardly ignorable and strikingly ambient. Each composition bravely explores few musical ideas, spaces and concepts, often influenced by landscape and the universe. They invite us as listeners to sit and really listen, to savour, to challenge, to entrance, to entice for as little as 6 minutes to 18 minutes. We encourage you to listen for slow unfolding patterns and harmony, repetition, explorations of colour and fluctuations of texture and density we float away with this stimulating hour of ambience.
In this episode you’ll hear:
Composer: Jakub Jankowski
This conversation was recorded on the 29th of November, 2016, in the composer’s home studio, South Australia.
For some time we’ve been taking note when composers submit works to the Making Waves curation pool that feature the voice, text, singing, speech. In September 2016 we compiled the Spoken Waves playlist; we’re delighted to revisit a similar theme exactly 1 year later with the present playlist, Vocal Waves. As always, we try to find works that fit the theme as well as challenge it, so the works range from children’s choir to rhythmic use of speech in the context of a percussion ensemble, showcasing the breadth of possibilities for the human voice. With several multi-part works, we also really enjoy the gravitation to song-form, both through shorter-form and multi-movement works here.