Guitar Waves (December 2018)

In our final playlist for 2018, Making Waves celebrates the expansive and engaging exploration of the guitar in Australian new music!

The guitar, in its various guises and combinations, offers composers a smorgasbord of sounds and techniques. Whether it is the quirky and emotive combination of guitar, trumpet and trombone in Andrew Batterham’s or the raw power of the electric guitar when it meets it maker – a set of pliers in Sam Harvey’s Bloodlines – you might just have your curiosity ‘plucked.’

We hope you enjoy this month’s playlist, and maybe even consider giving your local guitar teacher a call afterward…

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Radiophonic Waves (March 2018)

This month we decided to tackle the spectrum of compositions that inhabit and explore radiophonic composition. Radiophonic music developed as an artistic practice focusing on the use of electronics, abstracting and manipulating sounds to create unique pieces often designed specifically for radio. This medium places you, the listener, at the centre of the experience, how you interpret the sounds as they are divorced from a traditional concert context.

The works in this playlist are designed to immerse you in the spectrum of radiophonic sounds. Sounds from what we know are abstracted in each of these tracks, from the raw, digitally manipulated samples of organic everyday household sounds utilised by Andrew Ball and Michelle Nguyen, to the visually evocative soundscapes evoked by Fiona Hill and  Jessica Wells. Electronics are used throughout this playlist to abstract how voices and conversations are heard. These range from the use of intimate recordings of family conversations by Martin K. Koszolko to Amber Hansen’s ambient mix of samples recorded in the island of Capri.

This playlist also features works by Amber Hansen and Marlene Radice which were specifically commissioned for radio play and as such have been composed the be heard via this medium, the live component of the composition being the listening act in and of itself.

All of these works are designed to be interpreted by the listener a multitude of different ways, they challenge how we listen to sounds and re-evaluate how we perceive music.

Enjoy!

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Dream Waves (December 2017)

Plug in, press play and relax into a dream-like hour of contemporary compositions from our featured Australian composers. In this month’s Dream Waves playlist listen out for some common characteristics between these 10 stunning works, in the use of melodic lines, resonance, atmospheric effects, diatonic languages, ambience, repetition and an innate sense of reflection and stillness.  Predominantly featuring works for acoustic instruments, we were delighted to find that the electronic works and sound art from Marlene Radice and David Newnes contributed to and expanded on the theme. Join us as we float away over the next sixty minutes with a final playlist for 2017. We’re thrilled to end the year on such a beautiful note!

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Social Activism Waves (March 2017)

I’m not quite queer yet, but I can catch a glimpse of a queer world — that is, a world designed for queers instead of against us — with radically reconfigured politics, ways of knowing and feeling, ways of existing with each other. – Dan Thorpe

This month’s playlist, Social Activism Waves, is a collection of works that interrogate or reflect on many different aspects of society, culture, identity or politics.  The compositions include personal narratives or commentaries on subjects as wide-ranging as: mental health, terrorism, the environment, AIDs activism in the 80s-90s, refugees, queer and gender identity.  By using the term “activism” it is not our intention to define or narrow/box in the output or stance of the ten composers featured below. Rather, it acknowledges that in this particular work they have publicly offered a strong position; something deeply stirring, confessional, reflective or all of the above.  Many of the composers featured have been kind enough to offer some additional words about their motivations in writing their work. We encourage you to read these comments by clicking on their name below.

I can honestly say I was torn while writing this piece. I am motivated to write for injustice and to give a musical voice to inequality. At the same time, I felt uncomfortable to be composing “as a woman”. I don’t see my music as gendered. My ovaries do not compose. – May Lyon

The timing of this playlist is not random. At this current moment in time, national and international politics are careening hard right – further than some of us thought possible.  Funding climates continue to create tension for all artists, adding to our growing concerns over the treatment of our planet and our fellow human beings. For many, an inward retreat to the purely musical is one way of coping.  Others ask,  “What can I do? How can I as a musician express this or inspire change?”  No one way is more worthy. We encourage you to listen, read, explore, support the composers, discuss, share and contribute to this playlist in any form. We also welcome your comments below.  Our immense thanks to our talented composers for this touching playlist that has offered us much food for thought and inspiration.

Between a quarter and a third of the Great Barrier Reef has died due to coral bleaching by pollution and climate change. Despite the severity and publicity of this catastrophe, politicians refuse to address the issue, and my current part time job constantly forces me to witness the wasteful and apathetic attitude of the general public regularly. – Aidan Maizels

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