Piano Waves (October 2019)

This month we are excited to present a playlist exclusively focused on piano works. In curating ‘Piano Waves’, we wanted to showcase the expressive power and tonal colour of the piano. The eight Australian composers featured this month have created works that range from sprightly and sweetly melodic miniatures (such as Anne Cawrse’s piece ‘The Red Buoy’), energetic improvised-like music (Yitzhak Yedid’s ‘Angels’ Revolt’) to atmospheric fixed media soundscapes influenced by nature (Miriama Young’s ‘Grey Ghost’) and/or extended techniques (Annie Hui-Hsin Hsieh’s piece ‘Chamber of Glistening Whispers’).   

If you would like to continue down the listening path of newly-composed piano-based works, we invite you to take a trip into our archives and explore our ‘Keyboard Waves’ playlist from November 2016.

We encourage you to listen, share and enjoy this hour of music, and warmly invite all composers to submit your works to the Making Waves curation pool for possible inclusion in a future playlist.

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Jazz-World Waves (November 2017)

This month we’ve brought together a number of compositions that relate to jazz or world music in varying degrees, sometimes not in the most direct or obvious way.  Where are the boundaries between contemporary classical and jazz styles?  What are different ways composers look to wider folk and world musics for inspiration?  Many composers featured this month effortlessly weave in and out of jazz/improvisatory and classical practice, creating fascinating and eclectic bodies of work.  We hear in some of the works a focus on melody and harmony, with folk tunes or a chart-based approach. Several works for sax ensembles or big band are of the toe-tapping variety while others have an adventurous contemporary flavour.  Yet other works are scored for small colouristic bands or chamber ensembles.  We hope you enjoy this ride through a diverse collection of sounds.

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